Day 6 of FDCI’s Hyundai

India Couture Week

ended with a

scandalous twist

during

Tarun Tahiliani

‘s highly anticipated presentation. Known for recently designing outfits for Indian Olympians, the event at a plush central Delhi hotel quickly descended into chaos.
The main stage area had limited seating, far fewer than the number of guests invited, causing significant delays and frustration.

Over 300 attendees, including prominent

fashion industry

personalities, were left outside, unable to find seats. This logistical nightmare prompted an unexpected move from the designer.

Addressing the crowd, Tahiliani apologized for the inconvenience, stating, “These things are never planned. The good news is everyone has a front row, and we are repeating the show.” In an unprecedented move, he decided to showcase his entire collection again, ensuring that all guests could experience the event. Models were informed of the rerun and were compensated with a 50% increase in their original payment, a rare win for everyone involved.

Tahiliani’s collection, named “Otherworldly,” aimed to blend couture with comfort, challenging the traditional notion that high fashion must be restrictive. The collection featured flowing lehengas, delicately draped sarees, and structured bodices, all designed to provide elegance and comfort. For men, the collection boasted sleek, fitted lines with embroidered sherwanis, sophisticated bandhgalas, and clean kurtas, all in a predominantly black color palette.

The show also highlighted the juxtaposition of tradition and modernity with embroidered designs on translucent fabrics set against marble jaalis. Black jaalis with Indian arches and ivory asymmetrical jaalis showcased the blend of legacy and innovation. Traditional crafts like Kashidakar, Mukaish, and Chikankari were reimagined through a contemporary lens, incorporating Swarovski crystals and hand embroidery with aari and zardozi.
Despite the chaos, the event successfully highlighted Tahiliani’s dedication to combining technology and tradition. The collection’s unique juxtapositions, such as monochromatic Pichwai, carpets, and blooms, elevated Indian savoir-faire through impeccable tailoring, sculptured fits, refreshed draping styles, and a pale spectrum of colors reminiscent of a dust storm or the first bloom.

Tahiliani, already in the news for designing India’s Olympic 2024 uniforms, which received backlash for being “mediocre,” “shabby,” and “uncomfortable,” found himself once again at the center of controversy. This incident at India Couture Week only added to his reputation as fashion’s favourite enfant terrible.

In a world where precision is paramount, the evening’s fiasco underscored the unpredictable nature of live fashion shows and the pressures faced by designers. Tahiliani’s swift response and decision to repeat the show may have salvaged the evening, but it certainly left an indelible mark on an already controversial figure in the fashion world.